Not yet registered? Create a OverBlog!

Create my blog

How to play Black Crowes: Hard to Handle on the guitar

"Hard to Handle" by The Black Crowes is a rock song in the key of B, at a tempo of 104 beats-per-minute. All guitars are in standard tuning and are overdriven throughout the song. This article will explain how to learn and perform "Hard to Handle" by The Black Crowes.

Playing the introduction and verses

The introduction is a simple single-note riff. It is played on an electric guitar using a lightly overdriven tone. This riff repeats once through before the verse groove begins. The verse is a vamp on the chord of B Major. In the original, the guitar alternates between B and Bsus4. However, when performing this track on your own, any appropriate vamp around a B chord will work. The vamp on B lasts for eight bars, before the guitar changes to a F sharp major chord. The F sharp major chord lasts for two bars before the guitar drops out for the chorus lyrics ' Hey little thing let me light your candle, cause mama I'm sure hard to handle now, gets around". The part on F Sharp can be considered to be a pre-chorus section.

Playing the choruses

The chorus riff is a sequence of power chords, complimented by hits on the drums. The most important aspect of the chorus is ensuring the drum hits and chords sound at exactly the same time. Concentrating on this seemingly simple part will make the performance sound tight and professional. Note that chorus two varies from chorus one. The same chords are used, but the sequence repeats itself.

Playing the solo, outro and song form

The guitar solo in "Hard to Handle" by The Black Crowes can be performed mostly by using the B blues scale. The solo makes use of overdrive to achieve a classic soloing tone. The outro consists of two different sections and falls after the last chorus. A solo electric guitar improvises over the B vamp from the verse. Then, rather than playing the F Sharp pre-chorus section, the song moves straight to the chorus riff and draws to a close. When performing this track live, it is important to make sure the vocal improvisations and guitar improvisations both have room and do not impose on each other to the point where everything sounds messy. Controlled improvisation is key! The song form is: Intro Riff, Verse, Pre-Chorus, Chorus, Verse, Pre-Chorus, Chorus, Verse, Pre-Chorus, Chorus, Solo, Pre-Chorus, Chorus, Outro. Final word This article will help you perform and learn "Hard to Handle" by The Black Crowes.

Same category articles Music

Review: Toby Keith, I Love This Bar

Review: toby keith, i love this bar

Toby keith is an american country singer, originally from clinton, oklahoma, who has enjoyed multi-million dollar sales in the united states and beyond, in a career which has stretched from the early 1990s. keith has enjoyed multiple number ones, including a duet with legend willie nelson entitled 'beer for my horses'. a review of his song 'i love this bar' follows...
A biography of Bob Seger

A biography of bob seger

Bob seger was on old time rock and roll legend from detroit, michigan. his music influenced and was covered by bands such as metallica and thin lizzy. he was a singer, songwriter, guitarist and a pianist all in one, making him a fully rounded and astonishing musician. this article is a biography of his life.
The top five recordings of the Royal Marines band

The top five recordings of the royal marines band

You cannot beat the rousing precision, and panache of a royal marines band in full swing. it's music of the highest order, where lively air and dramatic drums make for inspiring military marching music. military band music, with its perfect time and step, complements a brisk walk perfectly. this article will look at the top five recordings of the royal marines band.
Review: Sugarland's 'Want to'

Review: sugarland's 'want to'

Sugarland are an american country music duo, consisting of singer-songwriters jennifer nettles and kristian bush. 'want to' is a single taken from the act's 2006 album 'enjoy the ride'. it is notable for being the first sugarland release not to feature founder member kristen hall, who had left the band in 2005. a review of sugarland's 'want to' follows.